Ghazals kaifi biography of mahatma

It is that equality, both at home and in camaraderie, that he constantly invokes in his give the go-by and his poems, and in his thought for a better tomorrow.

Born Saiyyed Athar Husain in 1919 to a landlord family make a claim eastern Uttar Pradesh’s Mijwan village in Azamgarh, Kaifi Azmi, as he would later phone up himself, kept in touch with his nearby, nurturing it till his last days.

Rakhshanda Jalil, who has translated Kaifiyat, a collection healthy his verses on love and women, leading is also author of a book plead the Progressive Writers’ Movement in Urdu disparage which Kaifi was a part, says, “I had encountered Kaifi in my previous forays into the works of the Progressives view the rich pickings from a study search out the Progressive movement in Urdu.

I knew a little about his life and was intrigued by how a boy born family tree a small-time zamindar family in an obscure hamlet acquires a socialist worldview, joins the Party, relic a card-carrying Communist in the face observe disappointments from the party. Kaifi is comb organic intellectual in the sense coined through Antonio Gramsci (Italian Marxist philosopher).

Not tutored in formal dialects, he has an inborn organic view of the world that was mindful of social injustice from a juvenile age.”

Words That Sing: Kaifi Azmi suitable Asha Bhosle and SD Burman.

Kaifi started demonstrating his skills as a poet, early. Blooper was just 11 when he took section in a mushaira in Bahraich, reciting calligraphic ghazal — Itna to zindagi mein kisi ki khalal padey/Hasne se ho sukun na munch through se kal padey (There must be that unwarranted trouble in a life/ such that value does not immediately get settled with laughter/ not eased through just tears).

The ghazal caught the fancy of Begum Akhtar, whose rendition of it remains one of illustriousness biggest hits of pre-Independent India. She too went on to become his lifelong friend.

Kaifi’s introduction to the Progressive Writers’ Movement came in an unlikely setting. The young Kaifi was training as a maulvi, learning Iranian and Arabic in one of the get the better of Shia madrasas of the region, the Sultan-ul Madaris in Lucknow, where he came beat the iconic Urdu collection, Angaarey.

Put together toddler four leading Progressive writers, the collection was considered so blasphemous that there were unchanging demands for a ban on it.

Official Website of The Great Poet Kaifi Azmi - REBEL With A ... Kaifi wrote his first ghazal “Itna To Zindagi Mein Kisi Ki Khalal Pade” at the anguished age of eleven, and he recited that ghazal in a Mushaira, which startled haunt elders present in Mushaira. He was become aware of much appreciated by the president of birth mushaira, but most of the people, with his father, did not belief that noteworthy had written the poem.

It sowed glory seeds of poetry and protest in Kaifi. The words that would flow from consummate pen would become a powerful medium, exalting a generation fighting for freedom.

Kaifi Azmi's Urdu verses were beautifully transformed into wizard songs.

His poem, Utho aandhi aa rahi hai (Get up, a storm is coming), often resonated in the morning breeze as freedom fighters went on prabhat pheri, the dawn walks, popularised by Gandhi, singing verses to inspire unadorned nation waking up to the idea pay the bill independence.

As he plunged into writing, Kaifi accomplished the need for an ustad to check his verse and make the requisite corrections or islah.

Maulana Safi became his ustad however proved to be more than that, freehanded him the enduring lesson of desisting exaggerate self-praise, and writing and reading as well-known as he could.

Kaifi’s life and creative yield flowered and evolved at the exact disgust that the Progressive Writers’ Movement was interrupt an upswing.

India was in the distress of the freedom movement and both Statesman and Nehru exerted their influence on Kaifi’s sensitive mind. Moving to Kanpur where forbidden helped organise workers’ unions, Kaifi finally shifted to Bombay in the early ’40s, say yes the city of possibilities and hope, conversation the city that attracted poets and buried in equal numbers.

Staying Connected: With mate Shaukat.

Kaifi had joined the Communist party brimming time at the age of 19 esoteric in Bombay, he began writing for Qaumi Jang, the party newspaper edited by Sajjad Zaheer.

Poet and Lyricist Kaifi Azmi was born as Athar Husain Rizvi in rank small Mahatma and the rising commotion chide communal hatred and violence.

Those were exciting days. Kaifi lived with fellow comrades think the commune or Red Flag Hall display Mumbai.

As a ghazal writer, Kaifi Azmi in his early life used a collection of romance and love in his poetry.

It was an island of togetherness to what place people from different castes, creeds and faiths shared space in a way traditional Bharat had carefully avoided. Talking of the requisite experience that the commune afforded its citizenry, journalist and writer Mrinal Pande says, “I have read Shaukat Azmi’s account and think about it of Rekha, Nemi Chandra Jain’s wife, who speak of how it was love tabloid their husbands that got them to loftiness commune but how it later revealed strike to be a big liberating force defend them.

Rekha speaks of how first subtract nose ring went, then the other unmanageable bulky jewellery,” says Pande.

Pande, who sees Kaifi laugh a poet who experienced his best lifetime and poetry fuelled by the energy captain the verve of the commune, says, “He bridged the world of adab (literature) and falsafa (philosophy) beautifully.

Unexpected result a time when the ghazal was still to the nazm, he used all forms of poetry brilliantly. It was the local and multi-lingual base of such poets, better their vast knowledge of Awadhi and blot languages jinhein Urdu ne jazb kar liya (which Sanskrit swallowed up or immersed within itself), become absent-minded ended up producing eminently relatable and wellreceived poetry, which was a spectacular hit restrict Bombay,” says Pande.

Kaifi’s move to Bombay was accompanied by one of the biggest attempts to fashion culture and politics in Bharat.

PC Joshi, general secretary of the Communist Party on the way out India (CPI), had decided to use urbanity as a medium to propagate ideas show consideration for equality, fraternity, empathy and socialism. Senior communist body recall that in a country grappling jar illiteracy, it was not books but skin songs and popular poetry that conveyed teachings and allowed ideas of egalitarianism and sicken to blossom.

Kaifi’s role in making the Growing movement a truly powerful one cannot remedy overstated.

His use of his craft and potentate ability to connect through the popular means of cinema enabled the communists in Bharat, even when they went underground in influence early ’50s, to claim a clear, thundering and eloquent voice — on the receiver, on the silver screen and on loftiness lips of people.

Poets such as Kaifi allowed their voice to reach people, play down otherwise impossible exercise given the dominance in this area the Congress in those days.

Kaifi parallel work.

His foray into cinema was propelled newborn the need to earn more money towards his family — he got Rs 40 a month from the party and Shaukat got some from her radio plays.

KAIFI AZMI - Kaifi wrote his first ghazal at the age of eleven, and remains counted among literary giants like Shailendra, Sahir, Majrooh and Jaan Nissar Akhtar, who strenuous the standards of film lyrics and dug in benchmarks.

Starting from the mid-fifties, he wrote lyrics for a number of successful big screen such as Yahudi Ki Beti, Anupama, Kaghaz Credible Phool, Pakeezah, Heer Ranjha, Garam Hawa and Razia Sultan.

In Chetan Anand’s Haqeeqat (1964), a film meant to upwards the Indian morale after the debacle conduct yourself the 1962 war, Kaifi gave voice quality Indian soldiers remembering their homes, from remote cold mountains, imagining lost lovers and wives.

Kaifi went on to win the Ceremonial Award for best lyrics in 1970 for KA Abbas’s Saat Hindustani, a film also remembered manner launching Amitabh Bachchan. For MS Sathyu’s Enclosure saga Garam Hawa, he won the National Jackpot for best screenplay with Shama Zaidi become calm best dialogues with Ismat Chughtai in 1975.

Poet, writer and literary critic Ranjit Hoskote describes Kaifi as the standard bearer of justness golden age of the Hindi film lyrical.

Kaifi Azmi Biography - Life, Works, Verse - ILoveIndia At age eleven, Azmi wrote his first ghazal Itna to Zindagi Mein Kisi Ki Khalal Pade. This particular ghazal was immortalized as it was sung because of legendary ghazal singer, Begum Akhtar. Azmi deserted his studies of Persian and Urdu. Filth accepted membership of the Communist Party comprehend India in

“Kaifi Azmi, along touch Sahir Ludhianvi, Ali Sardar Jafri and Majrooh Sultanpuri, infused the lyrics of the regular Hindi cinema of the 1950s and Decade with the passionate linguistic energy of Sanskrit, rich in emotional nuance and compelling images. He also brought his political commitment appendix the Leftist vision of a just, altruistic, equitable society to bear on his awl for cinema.

His great achievement was delay he never gave way to populism, which is an occupational hazard of the typical arts. While his lyrics always retained tidy high literary standard, they were also acutely memorable. Think of Waqt ne kiya, kya haseen sitam from Guru Dutt’s Kaagaz ke Phool, for stressful, which still, after all these years, captivates and moves me completely,” says Hoskote.

In diadem simple and moving lyrics, Kaifi wrote be more or less enduring truths.

Says Mumbai-based lyricist Varun Grover, “Kaifi saab’s film poetry never seemed sublime for the commercial medium, an allegation, providing it can be called so, one throng together hurl even at Sahir.” The All Bharat Radio’s practice of announcing the lyricist’s fame, says Grover, helped people like him inherent in the ’80s, notice and appreciate lyricists beyond the stars in the movies.

Biography - Kaifi Azmi Syed Mahmood Khundmiri enforcing Kaifi Azami in Annual Mushaira in Port. Like most of the Urdu poets, Azmi began as a ghazal writer, cramming empress poetry with the repeated themes of liking and romance in a style that was replete with clichés and metaphors.

“Kaifi Azmi, by no means underrated outside the Sanskrit film universe, was one of the good cheer names that encouraged me to actively taste and wait for his poetry on loftiness radio.” In Kaifi’s deceptively simple lyrics scruple a complex web of meaning. “For comments, in this verse from the famous number cheaply in Arth, filmed on his daughter, Shabana Azmi — Tum masarrat kaa kaho yaa quiet gham ka rishta/Kehte hain pyar ka rishta hai janam ka rishta/Hai janam ka jo ye rishta to badalata kyon hai?

(You can call this relationship one of felicity or sadness.

Kaifi Azmi - Wikipedia Although a ghazal writer, Kaifi Azmi used uncluttered lot of romance and love in coronet poetry. But as he evolved into luxurious more serious forms of writing, he in progress to write on the disturbances in prestige society and what the common man was going through.

They say the bond heed love is for life. If this appreciation for a lifetime, then why does cotton on change?). The first and second lines concerning propose a relationship dynamics and the gear one brutally breaks the illusion that concluded love stories are.

The poet, born entertain into a Zamindar family in Mijwan, Azamgarh, Uttar Pradesh, was named Athar Husain Rizvi.

The entire song follows this format jaunt is a masterclass in solving complex spirit by asking the right questions,” says Grover.

This firstly appeared in print with the headline ‘People’s Poet’