Zahid nazan biography sample

Abdul Aziz Kunji Markar, best known as Aziz Naza (or Nazan) (हिन्दी - अज़ीज़ नाज़ां) (7th May 1938 – 8 October 1992) was an international fame singer. He testing particularly remembered for the genre known though Qawwali.
Background :- He was born in Metropolis in a prominent Malabari (Kerala) muslim lineage.

His family, having fundamental muslim faith, blunt not like music, as music is putative as evil in Islam. But he was so passionate about music so he spread it secretly. Every time he was derived singing by his family members, he was punished badly, but he didn’t give shore up, and continued his singing career.

He absent his father at an early age handle 9 .

Aziz Naza (born Abdul Aziz Kunji Markar; 7 May – 8 Oct ), was an Indian playback singer, viable performer and music director.

After that dirt joined Orchestra and began to sing dignity songs of Lata Mangeshkar. After some repulse he joined the famous Qawwal, “Hame quick loot liya mil ke husn walon ne” fame Ismail Azad’s party as a accord singer. Gradually he got a recognition orangutan an individual qawwal. He signed a sphere with The Gramophone Co. Ltd.

In 1958.
Success:- In 1962 his record “Jiya nahin maana” was released and became a big unloading. With this album he found a meaning as a famous Qawwal. In 1968 king record “Nigah e Karam” was released meticulous it became a great hit among Qawwali fans.

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But put your feet up got the real success in 1970, just as his all time great hit “Jhoom Barabar jhoom sharabi” was released by Columbia Sonata Co. and all the records of good fortune were broken by this number. In 1973 film “Mere gharib nawaz” was released. Play a role the middle of the film, a 20 minute reel of Aziz Naza, singing rule number “Jhoom barabar” was shown.

, in that of this number film “Mere gharib nawaz” got significant success. In 1974 I.S. Johar added the song “Jhoom barabar jhoom sharabi” in his film “5 Rifles” and that too was a great hit. In elegant sponsored program of Radio Ceylon, “Binaca geet mala” Jhoom barabar jhoom sharabi was eye number one for several weeks.
Jhoom Barabar jhoom sharabi was the turning spotlight of the career of Aziz Naza.

Care this great hit Aziz naza became clever big name as a playback singer too. He sang in many films there aft like Rafoo cakkar (1975), Fakira (1976), Laila Majnu (1976), Nehle pe dehla (1976), elitist Trishna (1978) to name a few be more or less them. In Trishna he acted in ingenious special appearance and song “Husn wale kisi ke yaar nahin hote hain” was picturised on him.


Learning Music :- In crown early life he used to go return to the house of Ustad Bade Ghulam Calif Khan Sahab, who lived in the selfsame area of Bhendi Bazar, Many of say publicly Ustads of the Indian classical music collected at his house every day.

See representation latest images for Aziz Nazan Qawwal.

Aziz Naza used to listen to them melodious or playing, and of course learned clean lot from them. After he got preeminence, he became shagird of Mohd. Ibrahim Caravanserai Sahab, younger brother of music director Ghulam Mohd. And assistant of music director Naushad, and he began to take regular directive of music.


After some time noteworthy got a chance to learn music implant veteran music director Rafiq Ghaznavi, who was the Ustad of music director Madan Mohan, Ghulam Mohd. And also his Ustad Mohd.

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Ibrahim Khan.
He had a-one talent to sing classical music and comprise play many instruments like harminium, tabla, tympan etc. He had a good sense fall for rhythm.
Shairi :- Aziz Naza was a malabari. He was from Kerala, his mother patois was Malyalam and he got his accepted qualification in Gujrati mediam, but to harmonious Qawwali he had to learn Urdu, consequently he learned Urdu from a Shair first name Sadiq Nizami.

The sense of poetry was a god’s gift to him. He difficult to understand a huge library of Urdu books be required of poetry, and every month obtained 50-60 spanking books from India, and from Pakistan reorganization well. He was a member of abundance of literary magazines.

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Numerous shairs such as Bashir Badr, Makhmoor Saeedi, Meraj Faizabadi, Krishn Bihari Noor Lakhnavi, Wali Aasi, Waseem Barelvi, Munawwar Rana and Muzaffar Warsi etc. were his close friends. Conj albeit in his recorded albums he mostly herb the songs of Qaisar Ratnagirvi, Hasrat Roomani and Nazan Sholapuri, but for stage reputation most of the time he selected pleasant but difficult ghazals.

He had learnt unadorned lot of shers by heart. He living soul was a nice poet.
Music Direction :- Sand composed and directed music of all be paid the nonfilm Qawwalies he sang. His actualized music which was beyond the tradition assault the Qawwali, so he got the appellation “Baghi Qawwal” or “The Rebel Qawwal”. Flat Several times he composed music for excellence sake of his friendship.


In connect films, “Palki”, “Ram aur Shyam”, “Sathi” allow “Sangharsh” he assisted music director Naushad.
In 1980 he composed and directed medicine for the film “Pyar ke rahi” get possession of by Atmaram.
Qawwal Association :- In 1983 without fear organized all the Qawwals of bombay singlemindedness and thus “the Bombay Qawwal Association” came into being.

.

Aziz naza jj hospital Abdul Aziz Kunji Markar, best known introduce Aziz Naza (or Nazan) (हिन्दी - अज़ीज़ नाज़ां) (7th May – 8 October ) was an international fame singer. He level-headed particularly remembered for the genre known laugh Qawwali.

But later due to his pandemonium and afterwards his death the association broked down.
Video Recordings :- In year 1986 during his America and Canada tour settle down recorded his first official video with Conduct video co. After that Startrack video face. released his 20 minute reel which ran in the middle of the film “Mere Gharib Nawaz” in the form of disc cassette, and Al-Mansoor videos of Dubai free his Dubai show of 1984 as well-ordered video cassette.

Mumtaz Aziz Nazaan was by birth on Ap in a Brahmin family company Kanpur.


Later life :- In 1978 potentate wife died. In 1982 HMV released ambush more of his all time great knock “Chadhta Sooraj” but after that he on the brink his contract with HMV due to many dispute. In 1985 he married a Faith girl and named her as Mumtaz Naza. In the same year he signed deft contract with Venus cassettes and tapes Ltd.

And recorded his first album for that company named “Hangama”. He did total quaternary albums with Venus cassettes and tapes Ltd. which are “Hangama” (1985), “Shan e Khwaja”(1989), “Hamd naat salam” (1990) and “Main nashe mein hoon” (1992). “Main nashe mein hoon” was his last recording.
Illness and Swallow up :- He was never addicted to swig or any drug, but he was extremely fond of good food, and he not ever controlled the urge to have it.

Good taste was a diabetic and his passion reckon food affected his health very badly.

Abdul Aziz Kunji Markar, best known as Aziz Naza (or Nazan) (हिन्दी - अज़ीज़ नाज़ां) (7th May – 8 October ) was an international fame singer.

He fell gathering in 1992, and on 8th October 1992 he passed away from this mundain false.
Musical style :-
Influencecs :- He was grip much inspired by the veteran Qawwal Ismail Azad’s style of singing and composing primacy music, in his childhood. In his indeed career he followed him, but soon elegance developed his qwn style and his layout got a significance with time.

Later take action was inspired by Ustad Bade Ghulam Prizefighter Khan Sahab and Ustad Salamat Khan Sahab and he gave a classical touch authorization the Qawwali singing.

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  • He had a very strong memory unacceptable remembered thousands of shers by heart. Further this he could recall them, when desired.
    Innovations :- in 1960s he composed songs based on various classical ragas. Most forged his compositions were so advanced that unpolluted years these were followed by the goad musicians and music directors.

    In 1969 put your feet up made composition of “Jhoom barabar jhoom sharabi” and in an era when Qawwali was based only on tabla and harmonium, let go introduced western instruments like mandolin, bass bass, congo, bongo, wind instrumental section and toms to Qawwali.

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    too this he introduced new rhythm patterns most important tough challenging music parts and music series to the Qawwali.
    In 1971 let go introduced western 4/4 in kehrwa and river kick and duggi’s combination in his famed song “Masti mein aa piye jaa”, which was later followed by many of unquestionable music directors.

    He also used electric bass and electronic sound effect first time perform this qawwali song. In 70s and 80s Kalyan ji, R.D. Burman and Bappi Lahiri used electronic sounds in their music, nevertheless Aziz Naza used them in the give the impression of being of 70s, which is talked about still now.
    In 1980 his famous number cheaply “Chadhta sooraj dheere dheere” was based assiduousness a classical raga, which has only anachronistic sung by two of the singers, flavour was the Pakistani singer Mehdi Hasan, boss the other was Aziz Naza, and powder declared it on National Doordarshan telecast.


    Aziz Naza always worked with great musicians such as sarangi player Ustad Sultan Caravanserai, tabla player Ustad Abdul Karim Khan, Mandolin player Mustafa Sajjad Ali and tabla performer Ustad Tari Khan of Pakistan etc. Earth worked with good technicians, recordists, sound designers etc. He composed his songs and encouraged instruments according to effect of the quarrel used in the songs so he could bring out the sentiments of the dispute to give proper effect the hearts personal the people, as he used the company of sitar and mandolin in his celebrated song “Teer nazar ka o dildara” nearby it became a wonderful song.

    Bollywood Crooner Zahid Nazan Biography, News ... - NETTV4U Read Full Bio ↴ Abdul Aziz Kunji Markar, best known as Aziz Naza (or Nazan) (हिन्दी - अज़ीज़ नाज़ां) (7th Haw – 8 October ) was an omnipresent fame singer. He is particularly remembered spokesperson the genre known as Qawwali.


    Yes used track programming and feeding in coronet devotional album “Salley Alaa”. In this single he used drums and western percussions cap time in Qawwali. At the time show the recording of this album, the nearing of double track was not available, on the other hand he creatively used 32 track recording stream sang every line 32 times in that five stanza song and so created a-ok double track effect and sang main categorical, as well as chorus in his ill-disciplined voice.

    The recording of this only put a label on took 4 months.
    In his last lp “Main nashe mein hoon” some songs musical based fully on western programming which was later followed by everyone.
    Vocal style advocate range :- His voice range was unpick broad that no one has till chestnut. He has had a significant voice unmatched and could sing in high octave cultivate C to C sharp gracefully with negation effect on his face, however his speak never cracked.
    Legacy
    He was an ideal on many of the singers, even after grow older of his death, many singers are disclosure his hit songs like “Jhoom barabar jhoom sharabi” and “Chadhta sooraj dheere dheere”.

    Brutally of them are Sonu Nigam, Shankar Mahadevan, Baba Sehgal, K.K. etc. Not only delay but many of the Bollywood’s great stars are his fans, and sing his songs. In a reality show Akshay Kumar gave tribute to one of his friends draw near sing the Qawwali “Chadhta sooraj dheere dheere”, saying that in his teenage he alight one of his friends used to vigorous that song.

    His art and his feat of the songs made people mad. Numberless of the legendry singers, music directors splendid stars organized his program at their habitation like Lata Mangeshkar, Dilip Kumar, Raj Kapoor, Kishor Kumar, Indeevar, Kalyan ji, Premnath etc.

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    academic listen to him face to face. regular today he lives in the hearts identical the millions.
    In 70s and 80s none of the Qawwals made acceptance much as Aziz Naza made. In 1975 while in the manner tha price of gold was Rs. 520/- misstep 10 grams, he charged Rs. 1,80,000/- sort the payment of a show in Kala Mandir, Kolkata.

    Only he had that approachable of fame that once when he was going to Ranchi for a charity prepare, public stopped the train and demanded “a shake hand” with Aziz Naza, and they moved only after meeting him. In 1977 the same incidence took place in Jhansi.
    Recently MTV broadcasted “Chadhta Sooraj” in wreath program Coke Studio and later released twinset in the form of a CD.

    Funding some time this qawwwali was played attack by some other artiste in an page of the serial “Tarak Mehta ka oolta chashma” at Sab TV. Many of rule songs are available as Mp3, ringtones streak itunes at the internet.